{"version":"1.0","provider_name":"The New Atlantis","provider_url":"https:\/\/www.thenewatlantis.com","author_name":"Brian","author_url":"https:\/\/www.thenewatlantis.com\/author\/brianshim","title":"Science Goes Hollywood","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"EzRYa7iStR\"><a href=\"https:\/\/www.thenewatlantis.com\/publications\/science-goes-hollywood\">Science Goes Hollywood<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.thenewatlantis.com\/publications\/science-goes-hollywood\/embed#?secret=EzRYa7iStR\" width=\"600\" height=\"338\" title=\"&#8220;Science Goes Hollywood&#8221; &#8212; The New Atlantis\" data-secret=\"EzRYa7iStR\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/*! This file is auto-generated *\/\n!function(c,l){\"use strict\";var e=!1,o=!1;if(l.querySelector)if(c.addEventListener)e=!0;if(c.wp=c.wp||{},c.wp.receiveEmbedMessage);else if(c.wp.receiveEmbedMessage=function(e){var t=e.data;if(!t);else if(!(t.secret||t.message||t.value));else if(\/[^a-zA-Z0-9]\/.test(t.secret));else{for(var r,s,a,i=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),n=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),o=0;o<n.length;o++)n[o].style.display=\"none\";for(o=0;o<i.length;o++)if(r=i[o],e.source!==r.contentWindow);else{if(r.removeAttribute(\"style\"),\"height\"===t.message){if(1e3<(s=parseInt(t.value,10)))s=1e3;else if(~~s<200)s=200;r.height=s}if(\"link\"===t.message)if(s=l.createElement(\"a\"),a=l.createElement(\"a\"),s.href=r.getAttribute(\"src\"),a.href=t.value,a.host===s.host)if(l.activeElement===r)c.top.location.href=t.value}}},e)c.addEventListener(\"message\",c.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",t,!1),c.addEventListener(\"load\",t,!1);function t(){if(o);else{o=!0;for(var e,t,r,s=-1!==navigator.appVersion.indexOf(\"MSIE 10\"),a=!!navigator.userAgent.match(\/Trident.*rv:11\\.\/),i=l.querySelectorAll(\"iframe.wp-embedded-content\"),n=0;n<i.length;n++){if(!(r=(t=i[n]).getAttribute(\"data-secret\")))r=Math.random().toString(36).substr(2,10),t.src+=\"#?secret=\"+r,t.setAttribute(\"data-secret\",r);if(s||a)(e=t.cloneNode(!0)).removeAttribute(\"security\"),t.parentNode.replaceChild(e,t);t.contentWindow.postMessage({message:\"ready\",secret:r},\"*\")}}}}(window,document);\n<\/script>\n","description":"This spring, Hollywood has ventured into two major public controversies over science with all-star films on human cloning and global climate change. Both movies grossly distort the basic science in question, but the reaction of the scientific community has varied, apparently depending on the political implications of the movie&rsquo;s message. Godsend, which hit theaters in May, involves the cloning of a child who has died in an accident. What starts as a science fiction film devolves into a weak horror flick with a series of highly implausible twists and turns. The cloning of a child may well be a scientific...","thumbnail_url":"https:\/\/www.thenewatlantis.com\/wp-content\/uploads\/2020\/09\/social-share-default.png","thumbnail_width":930,"thumbnail_height":488}